dave morris

It’s been an eventful couple of months in the world of Dave’s bylines:

• I wrote my first review for SPIN.com, a review of Gang of Four at the Phoenix;

• I compiled a Guide to the best Hip-Hop shows at SXSW 2011 for Spinner.ca;
• Interviewed Nova Scotia rapper Classified, also for Spinner;
• Theorized about which music celebrities’ endorsements helped their respective products the most, again for Spinner;
• …and in my day job at ROB Magazine, I examined the future of technology and/or social media firms’ future IPOs, arguably proving that my getting hired there was not merely a huge clerical error.

I am also blogging at a-void.ca, of course, and have begun tweeting for ROB Mag at twitter.com/robmagazineca, so if business is your thing, be sure to follow along.

After several months of tweaking, hemming and hawing, I’m ready to go public with my new project, A Void. As the description on the site says, a void is a blog about beat music. That means instrumental hip-hop, dubstep, grime, techno and anything else that pushes the boundaries of music you can nod your head to. The name is a reference to the fact that most of the music is instrumental, ie. without vocals, though it isn’t exactly empty. So check it out, download some singles, add it to your RSS reader, follow it on Twitter, Like the page on Facebook, go crazy.

To start it off, here’s my Top 10 Albums of 2010 list. You’ll notice that it’s not so focused on the theme of the blog, but I really hate lists that stay, shall we say, on message. Besides which, six years writing for an alt.weekly is going to rub off; some residual Spoon fandom is a small price to pay.

PS: Two articles I recently did for Spinner: The best hip-hop albums of 2010 and Hip-hop’s indie rock connections, parts one and two.

Big news: as of Nov 25, I have left EYE WEEKLY. That means my final Pop Life column is this one, a discussion with DJ /Rupture (pictured) about ringtones and tribal grooves. I have been a reader of EYE WEEKLY for many years and working there was a dream come true. I look forward to seeing the paper grow in the coming months and years. Keep your eye (ahem) on those guys.

The good news is that I have a new position; I will be associate editor at The Globe And Mail’s Report On Business magazine as of Monday, Nov 29. My new job will not involve writing about music, but I intend to continue to freelance music articles while I delve into the world of business. Onwards and upwards, folks.

A brief roundup of my latest articles:

• Pop Life (column): Will the Stripped Down reissue of Double Fantasy change how we hear John Lennon’s iconic voice?
• Interview: Dr. Dog’s blood, sweat and tours
• Concert review: Liars @ Lee’s Palace, Sep 29

Here’s a roundup of the latest examples of my most recent work:

• Feature: Sampladelic producer Flying Lotus turns inward for inspiration
• Concert review: M.I.A.: Provocateur, scammer or spoiled brat?
• Interview: Philip Seymour Hoffman directs himself in Jack Goes Boating
• Feature: Wiz Khalifa rules the internet – and the college kids

For more information about me, click on the “About” tab.

Here are some more examples of my most recent work:

• Cover story: Scott Pilgrim Vs. Toronto: Michael Cera and Edgar Wright bring the indie comic – and our city – to the big screen
• Concert review: Paul McCartney’s still not dead
• Interview: Ty Segall: Meet the San Francisco noisenik whose melodic pop-rock stands out in the garage-rock crowd

For more information about me, click on the “About” tab.

Marco Polo via EYE WEEKLY, photograph by Robert Adam Mayer

Here are some examples of my most recent work:

• Maisonneuve: Music We Hate: Sonic Youth
• EYE WEEKLY: Marco Polo, the Toronto producer who’s leading the Canadian invasion of hip-hop
• EYE WEEKLY: Brian “B+” Cross, director of the J Dilla tribute concert film, Suite For Ma Dukes

For more information about me, click on the “About” tab.